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Home | Books
| Martian Quest
Martian Quest:
The Early Brackett
Leigh
Brackett
Introduction by
Michael Moorcock
Cover art by Virgil
Finlay
ISBN-10
1893887111
ISBN-13 9781893887114
$40.00
504 pages
Hardcover
OUT OF PRINT
Description
Martian
Quest:
The Early
Brackett
is a collection of the twenty earliest stories by the
undisputed "Queen of Space-Opera."
On
a Venus that never was, on a Mars that can never be (but should have
been), Leigh Brackett’s early stories laid the foundation for her later
classic adventures, The Sword of Rhiannon, The Nemesis from Terra, and
the "Eric John Stark" series.
Other stories in this
collection
draw inspiration from such diverse sources as the lost-race novels of
H. Rider Haggard, the lush fantasies of A. Merritt, and the planetary
romances of Edgar Rice Burroughs. With an appreciation for Raymond
Chandler and James M. Cain, Brackett’s prose is a unique display of
vigorous swashbuckling adventure tempered with a harsh, hard-boiled
economy.
Martian
Quest: The Early
Brackett
also features a
revealing introduction by acclaimed author Michael Moorcock,
recipient of the World Fantasy Award for Lifetime Achievement.
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Table of Contents
"Queen of the Martian Mysteries" by
Michael Moorcock
"Martian Quest" (Astounding
Stories,
Feb '40)
"The Treasure of
Ptakuth" (Astounding
Stories,
Apr '40)
"The Tapestry
Gate" (Strange
Stories,
Aug '40)
"The Stellar
Legion" (Planet
Stories,
Win '40)
"The Demons of
Darkside" (Startling
Stories,
Jan '41)
"Water Pirate" (Super
Science
Stories,
Jan '41)
"Interplanetary
Reporter" (Startling
Stories,
May '41)
"The Dragon-Queen of
Venus" (Planet
Stories,
Sum '41)
"Lord of the
Earthquake" (Science
Fiction,
Jun '41)
"No Man’s Land in
Space" (Amazing
Stories,
Jul '41)
"A World is
Born" (Comet, Jul '41)
"Retreat to the
Stars" (Planet
Stories,
Nov '41)
"Child of the Green
Light" (Super
Science
Stories,
Feb '42)
"The Sorcerer of
Rhiannon" (Astounding
Stories,
Feb '42)
"Child of the
Sun" (Astonishing
Stories,
Spr '42)
"Out of the
Sea" (Astonishing Stories, Jun '42)
"Cube from Space" (Super Science Stories, Aug '42)
"Outpost on
Io" (Planet Stories, Win '42)
"The Halfling" (Astonishing
Stories, Feb '43)
"The Citadel of Lost
Ships" (Planet Stories,
Mar '43)
Meet the
Author by Leigh Brackett (Amazing Stories, Jul '41)
Reviews
".
.
. Brackett's tone derives
more from the noir writers than from her fellow
SF authors. Life is hard, brutal and treacherous, and demands constant
alertness and ingenuity from those who wish to survive. And although
she uses stock landscapes, there is always a wealth of sensual
details—sweat down a spacesuit's collar; the hot control handles of a
ship close to the sun—to render everything vivid. Finally, her pacing
is relentless. She starts each story with a bang and never lets up.
Combine all these skills and predispositions into one package and you
are talking about a writer who simply imprinted her forceful style and
worldview onto everything she wrote . . .
This volume should be an essential part of every hardcore SF reader's
collection.”
—Paul di Filippo, Science Fiction Weekly
". .
.
Brackett's first sale, "Martian Quest," was to John Campbell at Astounding. That
story and nineteen others published over the next
three years in such pulps as Planet
Stories, Startling Stories, Amazing
Stories and Super Science
Stories, 478 pages of them, are collected in Martian Quest: The Early
Brackett from Haffner Press. As
with many true originals, much of Brackett's work, for all its seeming
diversity--hardboiled, standard mystery, Westerns, high fantasy,
science fiction—falls in a remarkably straight line. Here in Martian
Quest are adumbrated the themes and preoccupations she'll
fulfill in
later work: the creation of an entire world in precis, details
forthcoming. Here, too, is clear demonstration of the power, the
narrative inertia that once set in motion cannot be stopped, and the
genius for description that will forever be her hallmarks and heritage
. . . I
grew up on stories by Brackett, Kuttner, Sturgeon, and their
contemporaries, moving pretty much in a straight line from pabulum to
solid food to science fiction. Reading Brackett's earliest work again
after all these years reminds me of the early hold science fiction had
on me and causes me to consider how deeply not only my taste in
literature but my very view of the world was formed by science fiction.
The stories in Martian Quest and I are of an age. I limp. They
don't."
—James Sallis, Magazine of Fantasy and Science Fiction
". . . To
read Brackett's classic space operas is to return to the mind-set of a
simpler time . . . facing the dry winds of her ancient Mars and
negotiating the wild marshlands of her emollient Venus is also to
breathe a particulary pure air, original, unrecycled . . . Loners in
desert and jungle outposts, filled with regret and an evanescent
cynicism, in time provoked into resistance by inhuman invaders of
fascist tyrants: Bogart in the Martian city of Barrakesh instead of
mundane Casablanca: this is the pristine article. With extraordinary
precision, if no especial gift for plotting, Brackett captured a
late-imperial mood of simultaneous ennui and idealism; the tales in Martian Quest are absolute
distillations of that mood, not a word wasted."
—Nick Gevers, Locus
Excerpts
TBA
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